Head Producer Ian Connolly (BA Theatre & Creative Writing, '24) points out that one goal for the group has been utilizing all of the artistic talent found across USC's campus. Students learn the fundamentals of character, conflict and scene structure and build on their skills through each course as they write feature and television scripts in all genres and explore areas of their interest. Los Angeles, CA 90089-0911 Parking passes may be purchased for $10.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. Los Angeles, California, United States. This degree is granted through the USC Dornsife College of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts. The USC School of Dramatic Arts conservatory environment blends with the full academic experience found at a major research university. The USC Roski School of Art and Designs faculty are internationally recognized artists who offer a progressive approach for experimentation in all forms of visual arts. Writing for Screen and Television, BFA, Minors This certificate program provides graduate-level education in various aspects of the business of film, television and new media. Info below: "USC School of Cinematic Arts has launched an exciting new film and TV Exciting new job opportunity at USC's School of Cinematic Arts! A Maverick Filmmaker With a Unique Vision. For more information, see here. Film and Television Production, BFA (first-years only) Consequently, there is an emphasis on cross-disciplinary course work that ensures writers get behind the camera; cinema and media studies scholars edit footage; and production majors examine the canon from a rigorous academic perspective. (213) 821-5700*, The Peter Stark Producing Program Outside the Box [Office] and Galaxy Studio invite you and a guest to attend. Norris Cinema Theatre at the Frank Sinatra Hall. The Annual Security and Fire Safety Report includes (213) 740-8358 The Film & Television Production Division teaches The program requires 24 units. The current acceptance rate for the USC School of Cinematic Arts is 3%. See also List of University of Southern California people. We are educating the next generation of artists, scholars and professionals who will question the status quo. The USC School of Cinematic Arts trains fully-formed media makers, collaborators, and scholars situated to flourish in their chosen career path. create, develop and manage digital media in ways that engage and inspire people and constituencies. The minor is a unique course of study that looks at how the performing arts contribute to a culturally literate society. John C. Hench Division of Animation + Digital Arts . JERRY BROWN: THE DISRUPTER. USC School of Cinematic Arts. Gail Katz, Division Chair Before any film, television show, web series, or video game can become a phenomenon, the project need words on a page. Documentary Outside the Box [Office] and Focus Features invite you and a guest to attend. The doctoral degree is granted by the Graduate School in conjunction with the School of Cinematic Arts. The minor in documentary is designed to train students in the preparation and production of documentary media. 7:00 P.M. on Tuesday, April 4th, 2023. (transfers only) While rubbing elbows with future filmmakers like John Milius, Walter . Majors It is meant to accommodate a writer who has already attained significant recognition and would like to learn the craft of screenwriting. School of Cinematic Arts - SCI 201M Holly Willis, Division Chair The minor provides the opportunity for students to become familiar with various aspects of media study. The program requires 24 units. Undergraduate students in the media arts and practice program who achieve a grade lower than a C (2.0) in IML 201may petition to retake the course only once. The School offers comprehensive programs in film and television production, writing, cinema and media studies, media arts and practice . University of Southern CaliforniaUSC1880""Traveler2023U.S. The exhibit has been relocated to the Cinematic Arts library which has many collections for the study of figures whose lives and works are part of society's shared history. Interested students should contact Professor Pablo Frasconi of the division of Film and Video Production at pfrasconi@cinema.usc.edu.. Students who do not satisfy the degree requirement after repeating a class will be disqualified from the program. Everett Lewis,Co-Director Film and Television Production, B.A. At the USC School of Cinematic Arts, we look beyond reality to imagine new ways to tell stories. The School of Cinematic Arts is not participating in early action. In this unique four-year program, students study within a framework that combines a broad liberalarts background witha specialization track within the Themed Entertainment Industry. Spend time on our state of-the-art campus taking classes focused on feature filmmaking, editing, animation, FAX: (213) 821-2665, Media Arts + Practice School of Cinematic Arts -SCA 250 For more information, see here. This minor provides a grounding in game design and systems thinking, while providing a theoretical backing and skills in audio design and composition to prepare students to design successful audio for the games industry. Javascript is currently not supported, or is disabled by this browser. This program requires 38 units. A minimum grade of C, 2.0 (A = 4.0), must be earned in all required and prerequisite courses in order to progress to the next course level. Game Audio Students in the School of Cinematic Arts graduate programs pay differential tuition (see the Tuition and Feessection for current tuition rates). . The programs emphasizes small, workshop-style classes. The John C. Hench Division of Animation + Digital Arts teaches courses in animation and digital arts. Animation and Digital Arts Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. MA+P students are both makers The USC School of Cinematic Arts recognizes that a student can only truly excel in his or her chosen area of expertise after exposure to all elements of the art form. It combines seminars with hands-on, lab-based workshops devoted to basic image manipulation, video editing, social media and Web design to facilitate sophisticated critical thinking and practice in and through multimedia. Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. The Ray Stark Family Theatre, SCA 108, George Lucas Building, USC School of Cinematic Arts Complex, 900 W. 34th Street, Los Angeles, CA 90007. Immersive Media Check with the program administrator or with the Cinematic Arts Office of Student Affairs. Upon successful completion of all requirements of the 4 year program, students receive a Bachelor of Science in Business (transfers only) Film event by USC School of Cinematic Arts and Arrow Video on Wednesday, August 21 2019 with 110 people interested. For more information, see Business of Cinematic Arts (BS). The George Lucas Instructional Building (top) was demolished in 2009 after the opening of the new Cinematic Arts Complex (bottom). Susan Arnold, Vice Chair At the center of the new television complex is a statue of founder Douglas Fairbanks. Cinema and Media Studies, B.A. This minor is designed to give students an underpinning in game design, interface design and research methods, while teaching a full set of skills for playtesting and usability practice. This program requires 50 units. The Peter Stark Producing Program exposes students to the full spectrum of the entertainment business and creative Outside the Box [Office], USC Schwarzenegger Institute, and Zeno Films Productions LLC, invite you and a guest to attend. USC's School of Cinematic Arts. USC Marshall offers students the unique opportunity to complete coursework in both the School of Cinematic Arts and the Marshall In 1956, producer Wilber T. Blume, a USC Cinema instructor at the time, received an Academy Award for best live action short film for a film he created entitled, In 2006, director, co-writer, and producer. We hold collaboration and constructive criticism as foundational to all of our learning environments and essential to the methodologies of our instruction. (MAP) teaches the art and technologies of digital design, cinematic media, and storytelling. Media and Social Change Game Entrepreneurism This 24-unit minor is designed for students who plan to enter careers or professional programs in medicine after graduation and are interested in working with film and television producers to disseminate accurate health information to the public. For more information, see here. Students may attempt to improve a grade lower than a C (2.0) only one time by registering and retaking the specific course. For more information, see Game Design and Development (MS). View Related Pages. and or controlled by USC, the required policy disclosure statements and other important safety related information. For more information, see here. David Isaacs, Division Chair For more information, see here. Undergraduate students in the film and television production program who achieve a grade lower than a C (2.0) in CTPR 290(BFA only), CTPR 294, CTPR 295or CTPR 310, and graduate students in the production program who earn a grade lower than a C (2.0) in CTPR 507or CTPR 508may petition to retake the required sequence only once. Digital Studies Media and Social Change For more information, see here. Graduates of this joint program are well-equipped to apply their skills to both business and Designing Digital Scholarship: Research in a Networked World Tara McPherson School of Cinematic Arts USC Los Angeles CA USA tmcphers@uscedu mailto:tmcphers@uscedu The University of Southern Californias Annual Security and Fire Safety Reports (ASR) for the past three years are available online at: https://dps.usc.edu/alerts/annual-report/. For more information, see here. IN EARLY 2017, the World-building Media Lab (WbML) led by Professor Alex McDowell at USC School of Cinematic Arts, began this major collaboration with the Bridge Institute, to create a fully experiential virtual world of a single Pancreatic Beta Cell, using the metaphor of the complex systems of a city. More The school is also home to USCs Trojan Vision television station. Unless otherwise noted, the area code for all telephone and fax numbers is 213. An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. (213) 740-5889*, Film and Television Production The degree requires 128 units. As Fairbanks and his enablers reasoned that training in the cinematic arts should be seen as a legitimate academic discipline at major universities, given the same degree considerations as fields like medicine and law. Minors, International Programs and Summer Program, The John C. Hench Division of Animation + Digital Arts, MFA Program in Expanded Animation Research + Practice, The John Wells Division of Writing for Screen and Television, Business of Entertainment Graduate Certificate, CMPP 548 Introduction to Producing for Television, CMPP 550 Script Analysis for the Producer, CMPP 561 Motion Picture and Television Marketing, CMPP 569 Seminar on Non-Mainstream Producing, CNTV 332 The Art of Motion Picture Editing, CNTV 367 The Music Video: Business and Practice, CNTV 370 3-D Animation for Film and Video, CNTV 375 Breaking Into the Entertainment Industry, CNTV 393 16mm Filmmaking: Structuring Scenes That Work, CNTV 415 Commercial Production: The Art of the Sixty-Second Story, CNTV 419 Inside the Business of Film and Television, CNTV 427 The Art and Commerce of Independent Film, CNTV 428 Fundamentals of Entertainment Law and Dealmaking, CNTV 440 The Business of the Entertainment Industry: Motion Pictures, Television, Animation, Video Games, and Interactive Entertainment, CNTV 441 Business and Cinematic Arts Entertainment Practicum, CNTV 457 The Entertainment Entrepreneur: Getting Your First Project Made, CNTV 458 Producing and Marketing Feature Length Films, CNTV 463 Television: Integrating Creative and Business Objectives, CNTV 467 The Future of Digital Media and the Entertainment Industry, CNTV 478 Horror Film Analysis and Production, CNTV 481 Entertainment Industry Launchpad, CNTV 522 The Television Industry: Networks, Cable and the Internet, CNTV 523 Feature Film Financing and the Studio System, CNTV 524 Digital Technologies and the Entertainment Industry, CNTV 525 Entertainment Marketing in Todays Digital Environment, CNTV 561 Publicity for Cinema and Television, CNTV 562 Seminar in Motion Picture Business, CTAN 101L Introduction to the Art of Animation, CTAN 102L Introduction to the Art of Movement, CTAN 110 Design Fundamentals for Animation I, CTAN 201L Intermediate Animation Production, CTAN 202L Introduction to 3-D Character Animation, CTAN 210 Design Fundamentals for Animation II, CTAN 280 Intermediate Character Animation for Games, CTAN 301L 3-D Character Performance Animation, CTAN 302L Expanded Concepts in 2-D/3-D Animation, CTAN 443L Character Development for 3-D Animation and Games, CTAN 448 Introduction to Film Graphics Animation, CTAN 450a Animation Theory and Techniques, CTAN 450b Animation Theory and Techniques, CTAN 450c Animation Theory and Techniques, Acalog Academic Catalog Management System (ACMS). Sheila M. Sofian,Co-Director The game entrepreneurism minor provides an educational path that teaches hard business thinking for creative entrepreneurs. For more information, see here. Danny Bilson, Division Chair Articles; Sources; People; Places; Organisations; Article. The Arts and Humanities Initiative highlights USCs commitment to interdisciplinary approaches, featuring a spectacular selection of events conceived and organized by faculty and schools throughout the university. Summer Program classes are taught by leading industry professionals during two separate six-week The current Chair is Teresa Cheng, who holds the John C. Hench Endowed Division Chair. Thanks to SCAs location in Los Angeles, students have access to the countrys leading film, television, animation and video game producers; world-class literary and talent agencies; libraries and archives brimming with research materials; and alumni that support the school and the men and women in its academic body. By providing resources and funding arts projects within the university and beyond, Arts In Action inspire seeds of change in our community that make a lasting impact. According toUSC MISC(Media Institute for Social Change) at the Schoo As Black History Month got underway, the USC Black Student Assembly (BSA), spear 900 West 34th Street, Los Angeles, CA 90089-2211, 2016 University of Southern California School of Cinematic Arts. USC Cinematic Arts. Although cinema studies programs are now widely entrenched in academia, back then it was a novel idea and many universities turned Fairbanks down. Each fall, 30 undergraduate and 32 graduate writing students are selected to begin the program. In fall 2006, the school, together with the Royal Film Commission of Jordan, created the Red Sea Institute of Cinematic Arts (RSICA) in Aqaba, Jordan. Students may apply in the spring or fall semester. Please note: the SCA Summer Program consists of . The Bachelor of Arts in Interactive Entertainment is granted through the USC Dornsife College of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts. Game User Research Los Angeles, California, United States. Ed Saxon,Division Chair These materials are preserved for posterity and made accessible for research and scholarship as will the materials in the Wayne Collection.[8]. I'm at @USC School of Cinematic Arts (SCA) in Los Angeles, CA. Under special circumstances waivers and substitutions are granted; check with the Cinematic Arts Office of Student Affairs. For more information, see here. The School of Cinematic Arts curriculum relies heavily on in-class participation and interaction between faculty and students. When students graduate from SCA, they leave with the tools, skills and drive to create new media that will change the industry and our world. However, graduate students must also achieve a B (3.0) average in all courses required for the degree. The modern media, technology and entertainment fields are built on the backs of new businesses and new ideas. The USC School of Cinematic Arts, Hulu, and Iron Mountain Entertainment Services (IMES), invite you and a guest to attend A Special Theatrical Screening of LEGACY: The True Story of the LA Lakers Episodes 1 & 2 Directed by Antoine Fuqua Written by Steven Leckart School of Cinematic Arts - SCA 434 Undergraduate programs are assessed the university-wide tuition rate. 3-D Animation in Cinematic Arts, Learn more about Women's History Month and how USC is celebrating on our Admission blog today! Entertainment Industry Game Design & McClintock Avenue. The program requires 24 units. Minor students may also choose to earn an Honors designation by completing 6 additional units of course work, culminating in a capstone thesis during the students final year. The minor in digital studies explores the rich potential of digital media for critical analysis and creative discovery. 3667 South McClintock Avenue, Los Angeles, California 90089. https://dps.usc.edu/alerts/annual-report/. [1] While a Ph.D. student at USC, Dr. Casper's mentor, Irwin Blacker, died suddenly . Through elective choices students may focus their studies on a number of cinematic disciplines as they pertain to the creation of comedic content, including writing sit-coms, directing comedic actors and producing sketch comedy. Varied. The minor in Performing Arts provides an interdisciplinary inquiry into the nature and aesthetics of the performing arts. This professional degree requires 52 units. Every Visions and Voices event endeavors to challenge students and expand their perspectives. School of Cinematic Arts - SCB 210 The BA is granted through the USC Dornsife College of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts and requires 128 units. School of Cinematic ArtsUniversity Park, SCA 465University of Southern CaliforniaLos Angeles, CA 90089-2211(213) 740-2804. Streaming service Netflix has launched a training programme that will help upskill 15 professional Saudi television creative producers. The School of Cinematic Arts rarely accepts media production courses taken at other institutions to fulfill degree and minor requirements. Photo courtesy of the USC School of Cinematic Arts. - Act as liaison between the Assistant Dean for Parent and Academic Support Programs and external . Media Arts + Practice, B.A. Schedule a virtual visit USCs six arts schools, including the USC Fisher Museum and the USC Pacific Asia Museum, collectively produce a diverse array of recitals, performances, exhibitions, screenings, and lectures year-round. 3470 McClintock Ave, Suite 101 . Dedicated to immersive experience design and core best practices from the games industry, this program is for students who are passionate about the games industry and driven to innovate the emerging future of entertainment. See the Keck School of Medicine of USCfor course requirements. The degree requires 128 units. Shared by Annie Small Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD, The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD, The Robin Williams Endowed Chair in Comedy: Barnet Kellman, PhD, Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA, Presidential Professor of Cinematic Arts: George Lucas, BA, Judge Widney Professor: Robert Zemeckis, BFA, Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD, The Mark Burnett Summer Program Endowed Chair:Kenneth Williams, Distinguished Professor: Mark J. Harris, BA, Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS;Todd Boyd, PhD; Ted Braun, MFA; Teresa Cheng, BA; Midge Costin, MA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Mark J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Scott Kroopf, BA; Lisa Leeman, BA; Akira MizutaLippit, PhD; Tara McPherson, PhD; Christine Panushka, MFA; Amanda Pope, BA; Jason Reisig, BFA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila M. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Robert Townsend, DFA: John Watson, MA; Holly Willis, PhD, Associate Professors: Linda Brown, MFA; J. D. Connor, PhD; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Stephanie Spray, PhD, Assistant Professor: Giancarlo Cornejo, PhD, Professors of Practice: David Balkan, BA; Irving Belateche, MA; Gordon Bellamy, BA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Flick, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Marientina Gotsis, MFA; Eric Hanson, BA; Virginia Kuhn, PhD; Elisabeth Mann, MFA; Alexander McDowell, BFA; Thomas Miller, MD, MFA; Maks Naporowski, BA; Michael Patterson, BFA; Candace Reckinger, MFA; John Rosenberg, MFA; Robert Schiler; Mark Shepherd, MFA; Ronald Taylor, BA; Sonja Warfield, BA; David Weber, MFA;William Yahraus, MA, Associate Professors of Practice: Steve Albrezzi, BA; Susan Arnold; Janet Batchler; Kiki Benzon, PhD; Michael Bodie, MFA; Richard Burton, BA; Reine-Claire Dousarkissian, MA; Dianne Farrington, MA;Evan Hughes, MA; DJ Johnson, MFA; Suhail Kafity; Margaret Moser, MFA; Angelo Pacifici, BArch; Michael Provart, MFA; Elizabeth Ramsey, PhD; Jesse Vigil, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; Tristan Whitman, MFA, Assistant Professors of Practice:George Carstocea, PhD; Jeremy Deneau, BA, Visiting Associate Professors: James Huntley, MS;Aisling Kelliher, PhD; Jennifer Wild, PhD, Visiting Professors:Kara Keeling, PhD; Edward Saxon, MFA, Part-time Faculty: Bayo Akinfemi; Albert Albaladejo; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Jordan Ariel; Andrew Balis; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Block; Mitch Block; Skye Borgman; Sean Bouchard; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Brown; Bonnie Bruckheimer; Ed Callahan; Trey Callaway; Martzi Campos; John Carpenter; Will Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Johanna Demetrakas; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Jon Dudkowski; James Egan; David Fain; Siavash Farahani; Ben Fast; Ron Fernandez; Jason Figliozzi; Bruce Finn; Mike Fischer; Paul Foley; Eric Freiser; Joe Garlington; Bonnie Garvin; Paul Gerard; Larry Gertz; Jeffrey Glaser; Karl Gnass; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Green; Sharon Greene; Jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Pete Hawkes; Chevon Hicks; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Yong Duk Jhun; Jeanne Jo; Toni Ann Johnson; Moses Journey; Juli Juteau; Aaron Kaplan; Roeban Katz; Collin Kelly; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Marianne Krawcyzk; Stu Krieger; Jon Kroll; Lucas Kuzma; Morgan Land; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Domin Lee; Elizabeth Lee; Robert Levin; Adam Levine; Andrew Licht; Dan Lupovitz; John Mahoney; Abram Makowka; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Leslie Mathieson; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Monica Mitchell; Chris Morocco; Tatiana Mulry; Robert Nashak; Rob Nederhorst; John Nee; Sahand Nikoukar; Joseph Nussbaum; Dave OBrien; Jim OKeeffe; Sev Ohanian; Bob Osher; Joel Parker; Rick Parks; Justin Parpan; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Bill Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Lyz Renshaw; Silvia Rigon; Vincent Robert; Sam Roberts; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; Henry Sanchez; Jimena Sarno; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Matthew Scott; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Katie Smith; Jim Staahl; Josh Staub; Katherine Steinbach; Noah Stern; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Gene Warren III; Miles Watkins; David Weitzner; Nicole West; David White; William Whittington; Tyger Williams; Chase Winton; Cynthia Woll; Russ Woody; Frank Wuliger; Chris Wyatt; Qianqian Ye; Ashley York; Gil Zimmerman; Ed Zobrist, University Professor Emerita: Marsha Kinder, PhD, Professors Emeriti: Drew Casper, PhD; Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA, Associate Professors Emeriti: Robert Miller, PhD; Dennis Wixon, PhD, Research Professor Emeritus: Richard Weinberg, PhD, Professor Emeritus of the Practice of Cinematic Arts: Jason Squire, MFA.
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